Digital is the thread that connects all my work—painting, sculpture, animation, and design. It’s where motion, form, and code become living artworks. Through these shifting worlds, I explore connection and transformation, creating digital and on-chain pieces that move, breathe, and invite collectors into a new dimension of art.
On-chain Collectible Art
Minted on the Teia marketplace. Teia is a nonprofit, open-source, community-owned marketplace built on Tezos, where ideas, creativity, and digital assets join as OBJKT NFTs. Guided by sustainability, accessibility, and equity, Teia evolves through its participants and remains an infinite work in progress.
Furniture in Purgatory
In the Purgatory series, Mo Riza explores the connection between cultures, media, and ways of seeing. Through digital animation and 3D form, he creates shifting structures that merge architecture, imagination, and the space between the tangible and the abstract.
The Couple
In The Couple, Mo Riza augmented a pair of his sculptures to examine intimacy in the digital age, where emotion and technology intertwine. Two forms merge and dissolve in light and motion, reflecting how connection evolves when touch meets code.
Extended Weather
In Extended Weather, Mo translates motion into balance. This digitally simulated kinetic sculpture expands on his Weather Station series, merging shifting weights with digital weather phenomena. The work becomes a quiet study in gravity, rhythm, and the fragile equilibrium that holds everything in place.
The Intern
In The Intern, Mo Riza explores the quiet choreography of breathing: expansion, pause, and release. Through fluid digital motion and subtle shifts of light, the work mirrors the rhythms of being alive, where the internal becomes visible and the act of breathing becomes a meditation on presence.
Coffee Break
In Coffee Break, Mo Riza’s pastel tones drift and pulse through gentle motion, turning a simple pause into a breathing digital meditation on time and presence.
Machines
In Machine, Mo Riza reimagines technology as alive, a breathing, color-shifting organism in constant transformation. The animated work pulses with rhythm and light, blurring the boundary between mechanism and life. What begins as code becomes creature, revealing the poetry hidden within motion and circuitry.
Digital Sculpture4
In his series of Digital Sculpture, Mo Riza develops a language of shapes, including red, pulsating forms of smoke, fire, and glittering particles. Part organ, part machine, it embodies the tension between the mechanical and the living.
Pernik On The Sidewalk, 2009
Pernik On A Neon Sign, 2009
Pernik On A Glass, 2009
Pernik On A Curtain, 2009